Installation of drawberry series#

Ten years later German Dada artist Kurt Schwitters began making his ongoing series of constructions titled Merzbau, 1933 from assembled panels of wood that seem to grow outwards from the walls. In 1923 Russian Constructivist El Lissitsky first explored the interaction between painting and architecture with his world-renowned Proun Room, where two and three-dimensional geometric shards interact with one another in space. Installation art arose as an art movement in the early 1960s, but before then the seeds had already been sown. The rise of digital technology has undoubtedly impacted this interactive strand of installation art, offering artists a vast wealth of new possibilities like never before.Ī Brief History of Installation Art Proun Room by El Lissitsky, 1923 (reconstruction 1971), via Tate, London Audience interaction is a vital aspect of installation art visitors have been encouraged to crawl under huge towers, squeeze past giant mushrooms, or trigger sensors with the movement of their body. Scaffolding, false walls, mirrors, and even entire playgrounds have filled contemporary art spaces, while light and sound effects are also a common feature. Many artists design tailor-made installation art to fit into a certain space, changing it into an entirely new arena. Emerging as a bona fide art movement in the 1960s, installation art has since become one of the most popular and widespread strands of contemporary art practice, with artists embracing ever more adventurous and playful ways of transforming the gallery experience. In contrast with traditional mediums such as painting and sculpture, installation art is designed to fill whole rooms or even entire gallery spaces. Installation art is one of the most powerful and immersive of all art forms. Mushroom Room by Carsten-Höller, 2000 (left) with Rain Room by Random International, 2012 (center) and The Weather Project by Olafur Eliasson, 2003 (right)

Installation of drawberry